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Deewana kar raha hai is lifted from an Arabic song (again!). Yes, we do expect the music of a Bhatt film to be good – copied, but melodious. All in all, Vishesh Films really need to pull up their socks and bounce back with a chartbuster score in the future.Music: Jeet Ganguly Lyrics: Sanjay Masoomm and Kumaar Singers: Javed Ali, Shafqat Amanat Ali, Shreya Ghosal, KK, Sonu Nigam, Zubeen Garag Rating: ** The music of this Vikram Bhatt film is very average Sanjay Masoomm & Kumaar just disappoint with their choice of words in Raaz 3. Also, they need to sign up dependable lyricists who will escalate their music to a whole new level. Ironically, this album (as well as the recent Blood Money & Jism 2) have managed to dissolve all those standards to dust. Vishesh Films have always been associated with good music and Raaz, as well as, Raaz 2 had set the bar higher. I must admit that I am highly disappointed with this album. Sung brilliantly by Shreya, this is undoubtedly the most melodious track of the lot BUT at the end of it, you know something is missing. I like this song but it needs repeated hearings. Sung by Shreya Ghoshal & Zubeen Garg, It seems to be a rehashed version of Jab Dil Miley from Yaadein and tries really hard to create a sense of foreboding but, obviously, fails miserably.įinally, we have Khayalon Mein by Shreya Ghoshal. Taking a detour from the romantic side of music, Jeet comes up with the theme-like Kya Raaz Hai which, for the lack of better words, simply falls flat. This is also a classic example of a good tune being ruined by below-average lyrics. The tune isn’t extraordinary yet it instantly appeals to the ear and is the best track so far. The latest example of this is the next song Oh My Love which has been sung by Sonu Nigam & Shreya Ghoshal. You should know that I hate it when lyricists forcefully incorporate English lyrics in a song when it isn’t necessary.
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This one emits major chaotic vibes since a number of instruments are heard together.ĭear readers, I NEED to share something important with you. I would’ve preferred an unplugged version of this with minimal instruments. As a standalone track, it works in parts – mostly due to K.K.’s harmonious voice. Compared to its predecessors, this lovey-dovey track is Grammy-worthy. Preparing myself for more crappy songs, I proceeded to hear K.K.’s Rafta Rafta. The tune has nothing new to offer and I am so disappointed with the quality of the music. Barring the soulful sound of the piano and a handful of interesting wordings, this track is utterly forgettable. Next up is Zindagi Se which has been sung by Shafqat Amanat Ali. Moverover, it is a blatant copy of an Arabic track by the name of Ana Law Azeto by Egyptian singer Mohamed Hamaki. The opening song of any album should leave an impact on the listener and this one miserably fails to achieve this. I loved the vocals, I understood the melody, I empathized with the song (despite the cringe-worthy lyrics) but the sense of déjà vu refused to leave – you’ve been there, you’ve heard that. In simple words, the song is nice yet boring and leaves you aurally dissatisfied.
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Javed Ali opens the album with the old-school Deewana Kar Raha Hai. Has music director Jeet Gannguli exploited their voices to the fullest and delivered a fantastic soundtrack? Let us take a look. the album cover), Raaz 3 boasts of a great array of singers, namely – Javed Ali, Shafqat Amanat Ali, K.K., Sonu Nigam, Shreya Ghoshal & Zubeen Garg – all in one single album. How victoriously a film-maker would emerge from such an arena depends on the quality of both, the script, as well as, the music of the film which can make or break a movie. Honestly, in today’s age, box-office successes really do not matter since the producers recover most of their money by selling the distribution rights and other such rights of their films. Besides the Dhoom franchise, sequels are generally considered to be taboo and any film-maker daft enough to attempt one would be venturing into dangerous territory. Taking the lead, Vishesh Films ( Mukesh & Mahesh Bhatt) are releasing the most sequels this year – Jannat 2, Jism 2, Aashiqui 2 and of course, Raaz 3. Mumbai: Modern-day filmmakers seem to be obsessed with ruining seemingly hit movies by churning out their sequels – be it Housefull 2, Kyaa Super Kool Hain Hum or even the more recent, Jism 2. NEWSFLASH: A pandemic of sequels seems to have broken across the Indian subcontinent. We bring to you the exclusive music review of Vikram Bhatt’s Raaz 3.